In a culture that has a basic distrust of emotion and introspection, artists, musicians and poets are allowed, even expected, to express emotion in their work, though they may still be looked at askance, like the townsfolk might look at a carnie.
Each of the five traditionally recognized senses--taste, hearing, smell, touch and sight--has an independent function. And yet, these faculties integrate and communicate as they perceive stimuli.
Nature World is a new exhibit of object(s) related to Jack's further explorations of the mystery of nature.
Your friend is a straight-shooter.
This down-and-dirty yarn is a powerful evocation of pre-Katrina New Orleans and as absorbing a tale of love and evil to come out of this old town since Ace Atkins and Tony Dunbar hit the scene.
THE MOST IMPORTANT MUD WRESTLING FIGHT IN HISTORY
Using an auto-ethnographic approach to personal history as a window on the world, my new work explores marginal contexts, like storage facilities, highways, trailer parks, and transitional visual information, as in, the information that you may pass on a street but not openly acknowledge.
Trial Size is an exhibition of small abstract sculptural works. The title comes from the size of the works and from their prototype-scale model like qualities.
The writings of Philip K. Dick, the Kübler-Ross model, ghosting, Henri Bergson's concept of duration and a grocery store lobster tank as muse become material for Necrotic Black Black Swimming Pool With A Heavy Mossy Surface Film, the second installment of a series of collaborations between Jeff Gibbons and Gregory Ruppe.
An installation in the recycled media Anita is known for, inspired by her view of the sun setting over Woodlawn Lake.
The "infrathin" as conceived by Marcel Duchamp and adapted by Kenneth Goldsmith is utilized as a vehicle/pretext for more or less responsible explorations/spoofings relating to location, national and other boundaries, and the apparently fictive distinctions among various dimensions.
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